Oi oi! Friday night. Lovely-jubbly. Just before I get a curry in and uncork a cheeky bottle of red, it's time for our regular weekly pilgimmage to the land where the Earworm is King. I've been experimenting this week, and I've been seeing how often I can deliberately inflict an Earworm onto the poor guy who sits next to me at work. It turns out that it's pretty easy, and this week he has inexplicably found himself humming "Take Me Out" by Franz Ferdinand, "The Model" by Kraftwerk, "Talk" by Coldplay (all the more impressive as he had never heard the song before I hummed it quietly next to him for a few minutes), "The Deadwood Stage" by Doris Day ("whip crack away, whip crack away, whip crack away!") .... and perhaps unforgiveably, "Dancing In the Moonlight" by Toploader. He had his revenge though: I went off to a meeting, and when I came back, I discovered to my chagrin that I had been reinfected with the damn song as he was still humming it. Gah. I blame Fox.
Anyway. This week's Guest Editor is comfortably my favourite Singapore based ex-pat teacher of all time.... (for some reason the intro to "The Boy With The Arab Stap" has just started playing in my head. Curse my wretched susceptibility to Earworms!). He's also a longtime reader of this blog, and has been known to grace a stage in a Destiny's Child -ahem- 'tribute' act. Looks quite the part, too.
Yes. Ladies and Gentleworms. Without further ado... it is my great pleasure to present for your earworming pleasure:
Earworms of the Week - Guest Editor #19 - Mike from All Right Here?
I have a relationship with earworms which is often full of regret. Sometimes I’ll hate a song so much, or find it so laughable, that I listen to it lots of times just so that I can win an argument about how bad it is because I’ll then know the reasons why it’s so bad. I know the entire choruses to two R Kelly songs, for example. My regret is that, as a result, neither of them ever leaves my head for very long. I almost made the same mistake with Usher recently, but realised what was happening just in time. Fortunately, there are some good songs in my head too. I thought about lying and just putting good songs down, but it’s a real honour to be writing on SwissToni’s Place, so I want to do it properly. Here goes nothing, then.
The Vapours - Turning Japanese
I’ve only got this on a best of the 80s cd or something. It came on my MP3 player on shuffle the other day. It kept me awake all night and it really sticks. Some people think it’s about onanism which, interestingly, can have a similar effect.
Nelly - Ride Wit Me
Nelly. In his younger days a pair of plasters used to adorn his cheeks and he wore silly hats. He’s now matured into an artist who just wears silly hats.
Anyway, this song is the one that goes “Must be the money!” and I blame its earwormness on a school camp I was supervising when it came out. My colleague and I were washing up while the pupils were being teenagers in the next room – you know, dousing themselves in black make-up, hugging each other and crying about important things like how fat they thought they were. We were listening to the radio as we were washing up and both agreed that, even though we were far too old to really appreciate it, this Nelly chap had written a rather catchy sounding “rap” with an infectious chorus. In the manner of your dad, we started singing “Hey! Must be the money!” with some enthusiasm. We turned around to discover that most of the teenagers were standing in the doorway, looking at us incredulously.
Nelly, they informed us, was “lame”.
It’s never really left my head since. It came out in 2000. Argghh!
Spandau Ballet - Gold
This is an all time favourite of mine and a karaoke standard. I always ensure that I hold the mic in a Tony Hadley manner, you know, as if it’s one of those cigarette holder things.
For many years I thought it contained a reference to “the man with the suit and the face”, which always made me wonder what the man with the suit but without the face might have looked like. A great tune, I thought, but what nonsense these lyrics are. I discovered recently, however, that the lyric is actually “the man with the suit and the pace.” So that’s cleared that up.
Hard Fi - Hard to beat
A euphoric, rolling, uplifting song that manages to sound rocking and a bit housey all at the same time. The song’s about a guy seeing a girl that he likes, going up to her and saying, “Hi, how you doing?” This line, believe it or not, actually works, and one chorus later she’s already removing his shirt. It reminds me of being young and having much better lines than his, but them not working.
For pure energy and that feel good factor, this song is… er… hard to beat…
R Kelly - I Believe I Can Fly/Ignition
Well, one thing’s for sure. He’s no Shakespeare.
Two songs at once is, of course, cheating. For reasons explained earlier, these two often worm their way into my head as a kind of R Kelly medley, one segueing seamlessly into the other. “I Believe I Can Fly” contains the simplest and commonest of rhyming couplets, which therefore renders it empty and meaningless. He rhymes fly/sky day/away soar/door. Must have taken him all of two minutes. And the passion with which he sings these lyrics that a five year old would dismiss as, “Not my best work, Miss,” makes me laugh at him.
And so for “Ignition”. It’s too ludicrous for words, so what did I do? I learnt every word of the chorus.
Recently, some kids did an assembly on a history trip they’d been on to Vietnam. For the photo slide show at the end they chose “Ignition” as their background music. A somewhat incongruous choice, I thought. The best thing was, the teacher in charge of the music turned it up when the intro started, before hastily turning it down as soon as R Kelly started describing the sordid details of his “freakin’ weekend”.
Simon And Garfunkel - America
Simon and Garfunkel songs pop into my head more than anyone else’s, I think. Whether I’m “At the Zoo” or meeting “Old Friends”, whether I’m “Homeward Bound” or watching that “Most Peculiar Man” George W Bush on the telly, they have a song that pops into my head for the occasion. The one that permeates most, though, has to be “America”. I love the lyrics. “Laughing on the bus, playing games with the faces/She said the man in the gabardine suit was a spy/I said be careful, his bow-tie is really a camera”. This reminds me of Ella and me “people watching”. It’s a romantic song, but there’s more than a smidgen of 2000s US/British paranoia about it too.
Teenage Fanclub - I don’t want control of you
This isn’t my favourite Teenage Fanclub song, but it’s the one that’s running round my head at the moment. What I love about this song is the lazy, carefree strumming, the beautiful harmonies, the great melody (obviously) and the dramatic key change just before the end. The main bit that’s going round my head is the falsetto harmony that accompanies the key change so I’m giving myself a bit of a headache, as you can imagine.
Kelis feat Andre 3000 – Millionaire
It’s the bass line and Kelis’ sexy voice coming in that appeals about this one. It’s very enjoyable to pogo around the living room to. I was singing it all day today. Kelis plus Outkast equals pop heaven. It makes me think of rain at night for some reason.
Ash – Orpheus
I’m not interested in fast cars or even driving quickly in a normal car. Indeed, most people make no bones about telling me that I drive like a Grandad. I don’t care. I have no desire to drive any differently. Until this song comes on, that is. When it does, I picture myself hitting the open road in a convertible, drop top down (as Craig David might put it), driving excessively fast on a beautiful summer’s morning. It’s the melody that has this effect on me, despite the fact that the lyrics mention both “sunshine in the morning” and “the open road”. I reckon they wrote the lyrics to fit the melody. Whatever. It’s a winner.
Kings of Leon – King of the Rodeo
This is in my head because I’ve been listening to a lot of Kings of Leon lately. This is probably my favourite track because it makes me drop whatever I’m doing and bellow along. I keep getting different bits in my head. The riff which kicks the song off is very simple and very hummable. The thing I like best about singing along to Kings of Leon, though, is the fact that I can understand about one word in twenty. It sounds to me like they’re singing in Polish or something, so when I sing along I can make up my own language. It’s kind of my own individual club singer round from the tv show “Shooting Stars”. For all its indecipherability, it’s pure, unadulterated class.
Cheers Mike. Good list my friend, good list. Good choice for number#1 too (Statue John will no doubt be along to voice his approval in due course). Very eloquent explanations too.
Speaking of cheeky reds, next week's Guest Editor will be RedOne from Run Over By The Truth. For some reason, I thought that Red had already had a stab at this, but upon review of a list of previous guest stars, I realised that this was not in fact the case. Red has a lot to say about music, and was good enough to find the link to a very sad and appropriate blues song for me the other day. Not before time, Red's absence will be remedied next week, and I'm very much looking forward to it.
Now, if you'll excuse me, I can hear the dulcet tones of a jalfrezi gently beckoning me..... À bientôt, my lovelies.
[previous guest editors: Flash, The Urban Fox, Lord Bargain, Retro-Boy, Statue John, Ben, OLS, Ka, Jenni, Aravis, Yoko, Bee, Charlie, Tom, Di, Spin, The Ultimate Olympian, Damo]
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